DJI Mini 3 Pro
f1.7
•
1/1600s
DJI Mini 3 Pro
f1.7
•
1/2000s
DJI Mini 3 Pro
f1.7
•
1/500s
DJI Mini 3 Pro
f1.7
•
1/2000s
DJI Mini 3 Pro
f1.7
•
1/5000s
DJI Mini 3 Pro
f1.7
•
1/4000s
DJI Mini 3 Pro
f1.7
•
1/2500s
Making the most of the golden sand and clear water.
DJI Mini 3 Pro
f1.7
•
1/2000s
DJI Mini 3 Pro
f1.7
•
1/1500s
Sony a6500
with
Samyang 12mm f2
30s
•
Multi-shot composite
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
15s
Shot the opening night of Vivid 2023 from the Shangri-la hotel, giving a view over the whole harbour. Didn’t have a lens skirt—and didn’t think there were reflections at the time—but had to spend ages painting the reflection out just above the opera house.
The first shot is a composite from multiple points throughout the evening. The sky and most of the buildings are from a shot just before sunset, then the lights and trails of the boats are from some shots just after sunset. The fireworks are a separate shot, taken with a different lens! I didn’t plan to include this in the composite, but realised that I could take the telephoto view of the fireworks from the 18-105mm and line it up over the wide shots from earlier in the evening.
DJI Mini 3 Pro
f1.7
•
1/1250s
DJI Mini 3 Pro
f1.7
•
1/160s
DJI Mini 3 Pro
f1.7
•
1/500s
Some test shots with the Mini 3, trying to get the light of the sunset on the city.
Sony a6500
with
Sigma 30mm f1.4
f6.3
•
1/320s
•
Panorama
Sony a6500
with
Samyang 12mm f2
f0
•
13s
•
Multi-shot composite with star tracking
Sony a6500
with
Samyang 12mm f2
f0
•
13s
•
Multi-shot composite with star tracking
Sony a6500
with
Sony G 18-105mm f4
f8
•
1/3s
Lacking other ideas, decided to play with motion blur by tracking waves as the came to shore.
Sony a6500
with
Sigma 30mm f1.4
f2
•
1/800s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/80s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/60s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f5
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f8
•
1/1000s
Sony a6500
with
Sony G 18-105mm f4
f8
Sony a6500
with
Sony G 18-105mm f4
f9
•
105mm
•
1/640s
Sony a6500
with
Sony G 18-105mm f4
f9
•
1/250s
Sony a6500
with
Samyang 12mm f2
3.2s
Olympus TG 6
f2
•
1/1000s
Sony a6500
with
Samyang 12mm f2
1/60s
Borrowed an Olympus TG 6 to use while rafting down the Franklin river. Could have used a bigger sensor and bigger lens.
DJI Mini 2
f2.8
•
1/1250s
Sony a6500
with
Sigma 30mm f1.4
f5.6
•
1/80s
DJI Mini 2
f2.8
•
1/500s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/200s
Quokkas are very cute.
Sony a6500
with
Sony G 18-105mm f4
f4
•
Panorama
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/200s
•
Panorama
These are two very different panoramas. The second is hand-held at a moderately wide angle, as usual. The first is taken on a tripod, with the lens zoomed all the way in. This let me capture a wide-angle shot while maintaining a shallow depth of field, which you’d almost never see in a single shot.
DJI Mini 2
f2.8
•
1/160s
DJI Mini 2
f2.8
•
1/25s
•
Panorama
DJI Mini 2
f2.8
•
1/1600s
DJI Mini 2
f2.8
•
1/120s
•
Panorama
A few of these involved fighting a bit of wind and battery life, which made me a little nervous. Very happy at how the second and last shots turned out (the two blue ones). Both are fairly substantial panoramas.