Sony a6500
with
Sigma 30mm f1.4
f2.5
•
1/400s
Sony a6500
with
Sigma 30mm f1.4
f2.8
•
1/200s
Two shots from the end of the day in Nara. I liked the late afternoon sun on the water, it would be better either with a more pleasant background—I don’t particularly like the building behind—or with a longer lens looking across the water, to emphasise the reflection.
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/125s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/125s
I could endlessly take pictures of the roofs of temples.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/800s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/400s
Views on a walk around the hills in Kyoto. A little cheeky with the colours here to make it seem like it’s autumn, when in actual fact everything was quite green—like the last photo.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/500s
Sony a6500
with
Samyang 12mm f2
1/500s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/160s
Taken from a rooftop bar that smartly sells access to their top-notch view of Shibuya Crossing. Had to take photos through somewhat messy glass, but this shot turned out well. I like the vivid yellow and clear shadows.
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/100s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/400s
Sony a6500
with
Sony G 18-105mm f4
f5
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/80s
The foliage was not this brown/red colour, I was cheeky and adjusted the mostly-green boring shot to look like it came straight from Hero.
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/500s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/200s
Sony a6500
with
Sigma 30mm f1.4
f1.7
•
1/60s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/80s
I think the best part about not reading Japanese is that I can take photos of signs and just appreciate what it looks like without understanding the meaning. This probably says something like “no right turn”, but to me I just think the blue background looks nice in the morning light.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/400s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/125s
Sony a6500
with
Sony G 18-105mm f4
f8
•
1/200s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/200s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/60s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/60s
Night photography would be much better if I took photos with people in them. I love the little alleyways and lights, but without a subject they just don’t quite feel as good as they could be.
DJI Mini 3 Pro
f1.7
•
1/2500s
DJI Mini 3 Pro
f1.7
•
1/3200s
Immediately after I took that first picture and tried to bring the drone back, the wind picked up and it wasn’t able to make progress at all, even in sport mode. After a few panicked minutes of piloting I managed to get back safely.
Sony a6500
with
Samyang 12mm f2
1/3s
Looking upstream somewhere in the middle of Grand Canyon.
iPhone 15 Pro
f1.8
•
1/495s
iPhone 15 Pro
f1.8
•
1/1923s
Some test shots on my new iPhone 15 Pro during a walk around Sydney uni.
DJI Mini 3 Pro
f1.7
•
1/1000s
You can only have so many photos of things in the sea that are mostly blue, so I decided to go black & white and overexpose to give it a little bit of a dreamy appearance.
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/400s
While taking photos at a football game I can’t resist the urge to not take pictures of people.