Sony a6500
with
Sony G 18-105mm f4
f8
•
1/3s
Lacking other ideas, decided to play with motion blur by tracking waves as the came to shore.
Photography by Will Richardson
Sony a6500
with
Sigma 30mm f1.4
f2
•
1/800s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/80s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/60s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f5
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f8
•
1/1000s
Sony a6500
with
Sony G 18-105mm f4
f8
Sony a6500
with
Sony G 18-105mm f4
f9
•
105mm
•
1/640s
Sony a6500
with
Sony G 18-105mm f4
f9
•
1/250s
Sony a6500
with
Samyang 12mm f2
3.2s
Olympus TG 6
f2
•
1/1000s
Sony a6500
with
Samyang 12mm f2
1/60s
Borrowed an Olympus TG 6 to use while rafting down the Franklin river. Could have used a bigger sensor and bigger lens.
DJI Mini 2
f2.8
•
1/1250s
Sony a6500
with
Sigma 30mm f1.4
f5.6
•
1/80s
DJI Mini 2
f2.8
•
1/500s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/200s
Quokkas are very cute.
Sony a6500
with
Sony G 18-105mm f4
f4
•
Panorama
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/200s
•
Panorama
These are two very different panoramas. The second is hand-held at a moderately wide angle, as usual. The first is taken on a tripod, with the lens zoomed all the way in. This let me capture a wide-angle shot while maintaining a shallow depth of field, which you’d almost never see in a single shot.
DJI Mini 2
f2.8
•
1/160s
DJI Mini 2
f2.8
•
1/25s
•
Panorama
DJI Mini 2
f2.8
•
1/1600s
DJI Mini 2
f2.8
•
1/120s
•
Panorama
A few of these involved fighting a bit of wind and battery life, which made me a little nervous. Very happy at how the second and last shots turned out (the two blue ones). Both are fairly substantial panoramas.
DJI Mini 2
f2.8
•
1/320s
DJI Mini 2
f2.8
•
1/240s
DJI Mini 2
f2.8
DJI Mini 2
f2.8
•
1/3200s
It was so bright for most of the day—and windy in the evening—that it was hard to get pictures that really showed off just how pink Hutt Lagoon is. It’s very pink.
I then took off from the jetty on the beach and got sand all through the drone.
DJI Mini 2
f2.8
•
1/25s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/100s
DJI Mini 2
f2.8
DJI Mini 2
f2.8
•
1/60s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/400s
DJI Mini 2
f2.8
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/200s
Appreciating just how red and large Western Australia really is.
DJI Mini 2
f2.8
•
1/100s
DJI Mini 2
f2.8
•
1/320s
Sony a6500
with
Sony G 18-105mm f4
f4.5
•
1/160s
DJI Mini 2
f2.8
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f8
•
1/640s
Sony a6500
with
Sony G 18-105mm f4
f8
•
55923/44738401s
When you’re flying between Wellington and Christchurch it’s important to get a window seat on the correct side of the plane (facing west). Taking photos out a plane window is never the best as there are so many additional layers of smudged or scratched class each with their own reflections. Cranking the contrast up usually helps.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/125s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/30s
Sony a6500
with
Samyang 12mm f2
62s
•
Multi-shot composite