Sony a6500
with
Sony G 18-105mm f4
f13
•
1/500s
DJI Mini 2
f2.8
•
1/800s
Photography by Will Richardson
Sony a6500
with
Sony G 18-105mm f4
f5
•
25mm
•
2s
•
Multi-shot composite
Primo location for NYE photos.
Sony a6500
with
Samyang 12mm f2
1/60s
•
Multi-shot composite
Ferry movements, as seen by a 10-stop ND filter and multiple exposures.
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
30s
•
Multi-shot composite
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
30s
Sony a6500
with
Sony G 18-105mm f4
f18
•
13s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/200s
Sony a6000
with
Samyang 12mm f2
25s
Sony a6000
with
Samyang 12mm f2
25s
Assembling assets with some simple texture painting, lighting, and composition.
Sony a6000
with
Sony G 18-105mm f4
f6.3
•
94s
Burning lots of GPU time to render the sunlight streaming through the fog.
Sony a6000
with
Sony G 18-105mm f4
f9
•
1/200s
Sony a6000
with
Sony G 18-105mm f4
f22
•
1/3s
Sony a6000
with
Sony G 18-105mm f4
f22
•
50s
Sony a6000
with
Sony G 18-105mm f4
f5.6
•
1/4s
Sony a6000
with
Sony G 18-105mm f4
f14
•
1/320s
Sony a6000
with
Sony G 18-105mm f4
f10
Sony a6000
with
Sony G 18-105mm f4
f14
•
1/250s
Sony a6000
with
Sony G 18-105mm f4
f4
Where Mad Max was not filmed.
Sony a6000
with
Sony G 18-105mm f4
f4
•
1/250s
Sony a6000
with
Sony G 18-105mm f4
f22
•
50s
Sony a6000
with
Sony G 18-105mm f4
f22
•
30s
Sony a6000
with
Sony G 18-105mm f4
f9
•
1/160s