Sony a6500
f13
•
105mm
•
2.5s
•
Panorama
Sony a6500
with
Sony G 18-105mm f4
f13
•
20mm
•
13s
The first photo is an ~11-shot panorama with every shot taken fully zoomed in. This makes it super high resolution and a bit sharper than the second photo which is just a single shot.
DJI Mini 3 Pro
f1.7
•
1/400s
DJI Mini 3 Pro
f1.7
•
1/1250s
Some shots from a morning swim. Black and white to move away from the blue-and-orange that is typical of the Sydney coastline.
Sony a6500
with
Sony G 18-105mm f4
f11
•
20s
•
Multi-shot composite
Arrived with about 2 minutes to get ready before the fireworks started. There was a huge crowd so nowhere to setup the tripod. I ended up perched on top of a wall with the tripod mostly collapsed and almost falling off the wall.
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/125s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/250s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/60s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/60s
Walked up to the back of Mt Inari to avoid the crowds. Shot at f1.4 most of the time as it was late in the afternoon and overcast. I would have liked to have a bit more freedom in focal length.
Sony a6500
with
Sigma 30mm f1.4
f2.5
•
1/400s
Sony a6500
with
Sigma 30mm f1.4
f2.8
•
1/200s
Two shots from the end of the day in Nara. I liked the late afternoon sun on the water, it would be better either with a more pleasant background—I don’t particularly like the building behind—or with a longer lens looking across the water, to emphasise the reflection.
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/125s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/125s
I could endlessly take pictures of the roofs of temples.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/800s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/160s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/400s
Views on a walk around the hills in Kyoto. A little cheeky with the colours here to make it seem like it’s autumn, when in actual fact everything was quite green—like the last photo.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/500s
Sony a6500
with
Samyang 12mm f2
1/500s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/160s
Taken from a rooftop bar that smartly sells access to their top-notch view of Shibuya Crossing. Had to take photos through somewhat messy glass, but this shot turned out well. I like the vivid yellow and clear shadows.
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/100s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/400s
Sony a6500
with
Sony G 18-105mm f4
f5
•
1/200s
Sony a6500
with
Sony G 18-105mm f4
f6.3
•
1/80s
The foliage was not this brown/red colour, I was cheeky and adjusted the mostly-green boring shot to look like it came straight from Hero.
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/500s
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/200s
Sony a6500
with
Sigma 30mm f1.4
f1.7
•
1/60s
Sony a6500
with
Sony G 18-105mm f4
f4
•
1/80s
I think the best part about not reading Japanese is that I can take photos of signs and just appreciate what it looks like without understanding the meaning. This probably says something like “no right turn”, but to me I just think the blue background looks nice in the morning light.
Sony a6500
with
Sony G 18-105mm f4
f7.1
•
1/400s
Sony a6500
with
Sony G 18-105mm f4
f5.6
•
1/125s
Sony a6500
with
Sony G 18-105mm f4
f8
•
1/200s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/200s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/60s
Sony a6500
with
Sigma 30mm f1.4
f1.4
•
1/60s
Night photography would be much better if I took photos with people in them. I love the little alleyways and lights, but without a subject they just don’t quite feel as good as they could be.